@inproceedings{ViTa2015_92,
	author = {Siddiq, Saleh and Reuter, Christoph and Czedik-Eysenberg, Isabella and Knauf, Denis},
	title = {Towards the comparability and generality of timbre space studies},
	booktitle = {Proceedings of the Third Vienna Talk on Music Acoustics},
	year = {2015},
	pages = {237--240},
	editor = {Mayer, Alexander and Chatziioannou, Vasileios and Goebl, Werner},
	abstract = {Background: The perceptual relations of musical timbres are difficult to assess. The so called timbre spaces (TS) are a concept to depict timbre dissimilarities as spatial distances in a euclidean space. Since the 1970s, the TS concept, as intuitively accessible as it is, gained popularity within the scientific community and has been generally accepted.
A recent comparison of several TS revealed a lack of consistency among TS studies (Siddiq et al. 2014). It's most likely caused by the from study to study vastly different stimuli-sets. Thus far, instruments were reduced to a single tone, compared at the same pitch, and only (re-)synthesized sounds were used.

Research question: These findings raise the question whether an empirical meta TS would rather comply with the results of the original TS or confirm the inconsistency.

Methods: Based on the original stimuli used by Grey (1975), Krumhansl (1989), McAdams et al. (1995), and additional natural instrument sounds out of the Vienna Symphonic Library (VSL), a hearing experiment was performed. The obtained dissimilarity matrix was, by  means of a multidimensional scaling (MDS), graphed into a 3D scatter plot and eventually structured through a hierarchical clustering.

Results: The inconsistency is pretty much confirmed. Instead of an anticipated instrument clustering (e.g. all trumpets roughly located in the same region), the meta TS yields a clear clustering of stimuli-sets. Apparently, there is a greater timbral resemblance among the different instrument sounds from the same stimuli-set than among the sounds of the same instrument across the different stimuli-sets. Hence, these timbral differences between the stimuli-sets seem to prevail as primary features of timbre discrimination which in turn significantly impairs the comparability and thus the generality of TS studies.},
	address = {Vienna, Austria},
	publisher = {Institute Of Music Acoustics (Wiener Klangstil)},
	
}